Kana Tsumura, a promising Japanese artist of extraordinary talent, born in 1998 in Hiroshima, is rapidly emerging in the contemporary art scene. Tsumura graduated from the renowned Musashino Art University, specializing in oil painting. She has received numerous accolades, capturing the interest of many collectors and art critics with her original interpretation of Still Life. Kana’s works, which like the Latin term ‘Imago’ evoke ghosts, dreams, memories, reflections, and hallucinations, capture unrepeatable moments through a precise and evocative depiction of intimate experiences. Magical and mysterious details of banquets merge with moving hands that reach for succulent fruits, while fallen flowers are scattered on the table like precious fragments of life, frozen in an almost quantum time.

In her work, Kana Tsumura maintains a captivating balance between feminine domestic scenes and the ‘tradition’ of Still Life, creating an inimitable artistic space. The narrative is deliberately dynamic, with images that, against a deep blue background, reveal traces of ourselves between warm light and candle shadows. In a marvelous synesthesia, we can almost taste the wine, sense the aroma of the food, and hear the sound of our footsteps as we cross the threshold of a world transitioning from silence to a soft whisper, with our gaze captured and overwhelmed by the imagination of this young artist. Her works invite the viewer to explore the emotional depths and complexities of a modern narrative on femininity. Kana’s unique palette skillfully blends soft tones with nocturnal atmospheres, creating a sensory experience in which evocative scents, flavors, silences, and whispers appear almost tangible. Through the

contrast between the soft textures of flowers, the coldness of meat, and the viscosity of jam, Tsumura provokes an almost visceral response in the viewer.

It is precisely her ability to represent these textures with such realism that engages the senses of touch and smell, transforming the visual experience of her works into a multidimensional journey. Her domestic scenes suggest a narrative that goes beyond what is visible, urging us to imagine what might happen beyond the confines of the canvas. The nature of memory – fragmented and emotional – emerges more from perceptions than from reality or precise details.
Tsumura’s work is deeply inspired by the traditional themes of Vanitas and Memento Mori. However, reflecting the time and context in which she lives, Kana celebrates life in her works, often juxtaposing the symbolism of decay with magical elements embedded in compositions of meat, fish, and fruit, offering a profound commentary on the cyclical and regenerative nature of existence. Additionally, she highlights the reality of contemporary consumerism and the ethical and environmental implications of human habits. We are daily witnesses to decay and death, but if we seek comfort beyond the ordinary – where past and present merge into an eternal moment – represented in this contemporary allegory of Time, we discover something immensely profound. The fleeting pleasures, the ephemeral scents, and the transient joys of taste and freshness may prove to be more enduring, more real than what we often perceive as solid, permanent, and essential to our happiness.